Product Details
HD OMNI

Pro Tools | HD Audio Interface with 2 Microphone Preamps and Analog and Digital I/O

Pro Tools | HD Audio Interface with 2 Microphone Preamps and Analog and Digital I/O

Product Details
Achieve pristine-quality sound and clarity—without the bulk or expense.

Pro Tools | HD OMNI is an all-in-one preamp, I/O, and monitoring interface designed for Pro Tools | HD systems that enables you to capture every detail and nuance of a performance. Capture high-resolution audio through premium mic preamps. Connect gear to a wide array of analog and digital I/O. And monitor sessions in up to 7.1 surround—all from a compact interface that takes up just a single rack space. Plus, with its new lower price, getting great sound is even easier than ever.
 
With HD OMNI, you can do it all with a single rack space interface—whether you make music or create sound for picture. Capture high-quality instrument and vocal performances (with 4x8 analog or 8x8 digital support). Record overdubs, or track ADR and Foley for a soundtrack. Provide cue mixes for artists. Hear your own discrete mix. Monitor in stereo or up to 7.1 surround right from the front panel. And because there’s no need to route signals across multiple interfaces, you save both time and money.
 
If you're familiar with our older “blue” Pro Tools | HD interfaces, your ears are in for a major treat. Experience significantly better audio fidelity, wider dynamic range, and super-low jitter thanks to sophisticated A/D and D/A conversion and a new analog front-end. Capture and play back every audio detail. Retain the warmth and presence of your original sources. And get the lowest possible latency when recording.
 
Choose how you want to listen... Hear mixes in stereo or surround. Monitor through speakers or your cans. Create a personal mix for performers while listening to your own. Compare a mix on different speaker sets. And if you don't feel like launching Pro Tools, HD OMNI also functions as a persistent mixer, so you can monitor a keyboard, drum machine, or music player independently from your recording setup.
 
Connect your digital gear without the hassle, with built-in sample rate conversion offered on all digital inputs. Maximize your analog input signals, without any harsh clipping, with the soft clip feature. Plus, you'll be able to track hotter signals and smooth out inconsistent levels from incoming sources.
 
  • Capture high-quality sound—with complete transparency and clarity—through two premium mic/DI preamps and four line inputs. Plus, thanks to state-of-the-art A/D and D/A conversion, every sonic detail and nuance of your original sources can be heard.
  • With switchable input and output metering conveniently displayed on the front panel, you can easily see what's hot, what's not, and make the necessary adjustments to achieve optimal levels.
  • Easily let the person you're recording hear what they're recording—without the need for a separate feed and headphone amp. Simply press the Cue button to bounce between adjusting the headphone cue mix to the control room mix—and back again—all right in their headphones.
  • In addition to the inputs in front, you've got a variety of analog and digital I/O in back to connect everything from additional mics and instruments, to outboard hardware processors, speakers, and digital mixing consoles.
 
Technical Specification
Headphone Output 1
Analog inputs 4
Analog outputs 8
AES/EBU I/O 2 + 8
AES single-wire (192 kHz) Yes
S/PDIF I/O 2
ADAT I/O 8
S/MUX S/MUX II and IV
SRC S/PDIF I/O
Word Clock I/O 1 In + 1 Out
Loop Sync I/O 1 In + 1 Out
Digital interface DigiLink Mini
Curv Yes
Soft clip Yes
Chassis 1U rack-mountable chassis
Mic / Instrument Inputs 4 (2 simultaneous inputs at a time)
Mic Pre Gain 65 dB
Monitoring Formats 7.1, 7.0, 6.1, 6.0, 5.1, 5.0, QUAD, LCRS, LCR, 2.1, Stereo, Mono
Speaker Selection 2 sets
Persistent Mixer 14 input channels to 2 multichannel monitoring paths, each with its own fold-down configuration
Mic Inputs Frequency Response 20 Hz – 20 kHz (± .05 dB)
Mic Inputs Gain Range 65 dB
Mic Inputs EIN -128 dB
Mic Inputs THD+N -107 dB (0.00045%)
Mic Inputs CMRR -93 dB
Line Inputs Frequency Response 20 Hz – 20 kHz (± .03 dB)
Line Inputs Dynamic Range 118 dB (A-weighted)
Line Inputs THD+N -111 dB (0.00028%)
Line Outputs Frequency Response 20 Hz – 20 kHz
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