Official Site 中文
PMCNF
PMCMF
PMC3

PMC History
Founded in 1991 by Peter Thomas of the BBC and Adrian Loader of FWO Bauch. The combination of knowledge and a life-long passion for music led to the production of PMC’s first product, the BB5-A, an active main studio monitor. This design was snapped up by the BBC Maida Vale and Metropolis Mastering and remains the world’s reference, used by Prince, Stevie Wonder’s Wonderland Studio, Hospital HDTV Broadcast London and for renowned classical labels such as Decca and Harmonia Mundi. Many of today’s movie themes have been crafted using PMC, from such eminent composers as Henry Jackman, Thomas Newman, Tyler Bates and John Debney.
PMC are one of the very few companies who have been awarded an Emmy® for their contribution to recording excellence. With film, it would be easier to list the blockbuster movies which did not use PMC during the process of music production and post! But titles include: Titanic, Mission Impossible, Captain Phillips, Pearl Harbor, Game of Thrones – TV, Iron Man 1& 2, Skyfall, Spiderman 1,2,3 and Pirates of the Caribbean and many many more.
PMC reigns supreme throughout the leading mastering houses, broadcasters and much of the professional world.

PMC Technology
All PLC speakers use unique ATL (Advanced Transmission Line) enclosures that take loudspeaker design to the highest level.  Using sophisticated cabinet construction, proprietary drive units, and patented absorption materials the benefits are enormous compared to the relatively simple sealed and ported designs currently available elsewhere.
PMC’s innovative approach places the bass driver near one end of a long tunnel (the Advanced Transmission Line). This tunnel is heavily damped with acoustic material specified carefully to absorb the upper bass and higher frequencies radiating from the rear of the bass driver. The lowest frequencies are allowed to pass down the line and emerge from the large vent in the same polarity as the driver’s frontal radiation, the vent acting essentially as a second bass driver.
An important benefit of the approach is that the air pressure inside the cabinet, loading the bass driver, is maintained. This helps to control the driver over a wide frequency range and significantly reduces LF distortion. Consequently, the upper bass and midrange detail is not masked by harmonic distortion and the result is PMC’s characteristically transparent midrange, fast, attacking bass and outstanding clarity.
A further advantage is greater bass extension and loudness than a ported or sealed design of a similar size, even if similar drivers were used. Moreover, the very consistent bass driver loading brings the welcome benefit that the frequency response remains consistent regardless of listening level, and analytical auditioning can be conducted without the need for high replay volumes to achieve optimal bass response – a unique and very valuable characteristic.

‘No other bass loading technology provides such resolution and tonal accuracy at all volume levels’