The 47 has stood the test of time as the ultimate studio mic, having been used extensively by The Beatles, Frank Sinatra, and countless other major artists.

In addition to vocals, this mic sounds amazing on acoustic guitars and bass.

Mid-70s split backplate capsule mic that sounds slightly different than a modern 87. Classic applications include vocals, acoustic guitars, and guitar amps.

The tonal characteristics of the original’s low-cut and pad features are fully modeled. Filter position 1 enables the low-cut filter, position 2 enables the pad, and position 3 enables both features.

A modern microphone which is now a classic in its own right, having many famous users including Billie Eilish and Justin Timberlake. 

With a presence peak in the 8 kHz to 12 kHz region, this mic sounds great on vocals, acoustic guitars, and other stringed instruments.

Based on a classic Austrian mic with a 6072 tube and fully brass capsule, it was manufactured exclusively for export to the USA marketplace. 

The 251 is one of the most prized mics of all time, with a long list of famous users that includes Joni Mitchell and Celine Dion. In addition to vocals, prime applications include piano and drum overheads.

One of the most ubiquitous condenser mics of all time. With essentially the same nylon capsule as the subsequent 414 EB, the sound is quite similar, although a bit more neutral.

This is a great all around mic, especially when used as a stereo pair for piano, strings, and drum overheads. 

Renowned engineer Bruce Swedien recorded Michael Jackson’s “Thriller” vocals with this mic. For many applications, the DN-7 holds its own with some of the best condenser mics ever made. This model is the "A" version.

When AXIS is set to 180º the mic is modeled without the windscreen installed. Some engineers prefer this sound and permanently remove the windscreen.

Industry-standard large-diaphragm dynamic mic with applications ranging from broadcasts to kick drums. Often a go-to choice for spoken word due to its presence boost and sharp high frequency dip to minimize sibilance.

The mic’s filter switch provides an optional 'bass-tilt down' reducing response ≈ 4.5 dB below 400 Hz.

One of the most iconic mics of all time. Countless legends such as Bing Crosby, Ray Charles, Frank Sinatra, Elvis Presley, B.B. King, and Johnny Cash were recorded with the 77. Its distinctive appearance has also graced the desks of many famous personalities including David Letterman and Larry King. 

Although primarily famed as a vocal mic, it also sounds wonderful on brass instruments.

A great all-purpose dynamic mic with a smooth, even sound. Its low-mid richness and high frequency clarity is known to be flattering but not overpowering.

The 88’s solid reputation includes being a primary choice for Phil Collins’ handheld vocals. This mic is also very effective on bass guitar amps and tom drums.

Rare small diaphragm condenser mic featuring a thin nickel diaphragm providing excellent transient response.

The SD-K54 has been used to record acoustic guitars and strings for the likes of Larry Carlton, Ry Cooder, Yo Yo Ma, Joe Pass, Kenny Burrell, and Eric Clapton.

Classic small diaphragm condenser tube mic featuring a dual nickel diaphragm and AC701 tube.

Although great for acoustic guitars and other stringed instruments, it also sounds very good on the bottom of snare drums. 

Small diaphragm condenser microphone with back-to-back KM84 type capsules. Prized for crisp realism and versatility, the KM86 was for a time the primary mic used by Motown.

Sounds great on snare drums (top and bottom), acoustic guitars, and guitar amps.

A modular end-address small diaphragm condenser mic which has become an industry standard. 

The two 75 Hz and 150 Hz low-cut filter options are modeled from the original mic. Commonly used on piano, snare drum bottoms, and as drum overheads.